Tag Archives: anago

Rakutei (楽亭), Tokyo

photo 1Chef: Ishikura Shuuji    Website: Not available   Cuisine: Edomae Tempura

Tempura is one of the three cuisines that originated from and defined the Edo period (also known as Edo no Zanmai江戸の三味) when Tokyo became the capital (1603 – 1868), alongside sushi and soba. Given the importance of the cuisine, there was no way that we would be missing out on at least one good tempura experience in Tokyo where it all began centuries ago. Fortunately there are a number of 2-Michelin starred tempura restaurants in the capital. In the end we decided to opt for Rakutei (楽亭) in Akasaka, which specialised in Edomae tempura; that is utilising seafood and vegetables that were available and caught in the vicinity of Tokyo during the Edo period.

photo 2-3Reservation is necessary for this 11-seater restaurant. Just like the chef’s from other famous tempura restaurants like Kondo and Fukamachi, chef-owner Ishikura Shuuji trained at the famous Hilltop Hotel restaurant before going independent in 1970. There were only two options from the menu, starting with the cheapest at 11,000 yen and the most expensive being 13,000 yen. Given the difference between them was only the number of prawns you got, we opted for the cheapest one to leave room for dinner.

photo 3-3As soon as our orders were taken, Ishikura-san began preparing the oil and its temperature. As Ishikura-san had to adjust the temperature of the oil for each course, the meal could not commence until every diner was present as everyone’s meal was served simultaneously. A wet hand towel was brought out to everyone with me being the exception (this wasn’t rectified until half way through the meal when I had to point it out). The apprentice, and only aid behind the counter, wasted no time in preparing our appetiser of Bonito salad, or Sakizuke no katsuo nuta ae (先付の鰹ぬた和え). Unfortunately, it was rather chewy and I felt the fish was dominated by the white miso dressing.

photo 1-3Ishikura-san’s wife then brought out a lacquered tray for each of us. On the tray were essentially all the condiments to go with the tempura. Basically you could have your tempura with grated radish in home made tentsuyu (天つゆ), which is a tempura dip made from a specific ratio of dashi, mirin and soy sauce, or just lemon to squeeze over…

photo 5-2… or plain old salt. I personally preferred to just have salt for most of the courses.

photo 3-2There was no doubt the ingredients being used here was fresh. The prawns were still moving when Ishikura-san brought them out. Each prawn was handled with the utmost care and prepared methodically. The chef made the process look effortless but the slicing, trimming and peeling was done at speed with flawless precision that captivated all of us. He must have done this thousands of times. Each prawn was lightly slashed across the belly before being coated in the light batter.

photo 2-2For the cheaper menu, two Prawn Tempura’s (海老) were served in comparison to four, and in hindsight we made the right choice. The prawn had a natural sweetness and worked particularly well with just salt as it allowed you to appreciate its freshness and natural flavour. Despite this, I was not blown away from essentially what should have been the star dish of any tempura restaurant. I found the texture of the prawn a little drier than I’d like, absent of that expected juicy explosion at first bite.

photo 1-2We continued with some deep-fried Ginko nuts or ginnan (銀杏) which again wasn’t anything earth shattering. Hmmm, this was an ominous sign…

photo 5-1The meal did however pick up with a serving of the delicious and salty Prawn Head (海老の頭) and Matsutake mushroom (松茸). The prawn head was divine with its crunchy texture and depth of crustacean flavour, far superior to the body of the prawn itself. I did wonder though, why did we only get one head when we had been served two prawns? The matsutake was satisfyingly meaty and oozed of its delicious juice. This was more like it!

photo 4-1You could distinctly notice the change in the application of the batter and the temperature of the oil with the Garfish, also known as Kisu (鱚). There was a thicker coating of the batter and it had been fried at a much higher temperature to penetrate the thicker fillet of the fish. Lemon and salt did the perfect trick for this course. What surprised me most was the absence of oiliness despite the thick batter, leaving you with just the flavour of the fish.

photo 3-1One of the two stand-out dishes of the meal was undoubtedly the Long Aubergine or Naga-nasu (大長茄子) from Kumamoto prefecture. I loved the contrasting texture of the soft moist flesh against the crispy batter. The aubergine has been deep-fried to retain as much moisture as it could before it was sliced in half for plating. A ginger stem tempura was then served to clean the palate. Ishikura-san changed his oil after this course to maintain the freshness of the next few courses. Shame the same level of attention wasn’t paid to the service as we had run out of water and tea for some time and there was no sign of any impending top up.

photo 2-1The second star dish of the meal was the Ink Squid or Sumi-ika (スミイカ). I’d never encountered such a delicate texture with the flesh having hardly any resistance to bite. The entire piece just dissolved in my mouth effortlessly and we were all left speechless. Wow.

photo 1-1The Conger eel or Anago (穴子) in comparison felt slightly too oily, unrefined and tough compared to the other courses. The toughness in truth was due to the fact that it had been cooked slightly longer than it probably should have. Mind you, at least the flavour was good and its only saving grace, although admittedly it was difficult to hide our disappointment.

photo 5To finish our meal we were served a plate of Japanese Pickles or tsukemono (漬物) and given a choice of having our Kakiage (かき揚げ), essentially a concoction of various ingredients, in this case clams, being deep-fried together in a batter, prepared in a Tendon (天丼) which is on a bed of rice, or Tencha (天茶), which is in a bowl with a tiny bed of rice and tea.

photo 3I opted to have my Kakiage as a Tendon. The Kakiage was made from the muscular part of the round clam, known as Kobashira (小柱) that had been sourced from Hokkaido. Whilst the flesh was very soft and sweet, I felt there was far too much batter for the amount of the delicate clam, making it rather more doughy than i would like, albeit crunchy on the outside.photo 4

We reflected over our meal as we sipped on our red miso soupAkadashi (赤だし) and waited for our bill. We all had mixed feelings about the meal. There were some clear winners like the sumi-ika and naga-nasu that were a world apart from any tempura we had ever tried previously but we couldn’t overlook the inconsistency in the quality of the tempura, not to mention the simple mistakes in the service such as my missing wet hand towel and tea not being topped up. For the same price we had a far better and memorable meal at Ishibashi.

Shinji by Kanesaka, Singapore

P1150233Chef: Shinji Kanesaka  Website: www. shinjibykanesaka.com Cuisine: Edomae Sushi

For those of you who have been to Japan and tried the best sushi joints, you’ll appreciate where I’m coming from when I say that good sushi is a rarity outside Japan. In fact, it’s so rare that I personally have only come across one restaurant in London by the name of Sushi Tetsu that has truly left me speechless… until my recent visit to Singapore that is. Shinji by Kanesaka is an offshoot of the two-michelin starred Ginza establishment that opened in Singapore’s most luxurious and iconic Raffles Hotel in 2010. Anyone who has dined here before will agree that they fully deserved the 32nd position in the 2014 San Pellegrino Asia’s 50 Best guide. Subsequently, they will also warn you about the eye watering bill that comes at the end of the meal. You have been warned.

P1150238Rather than heading straight to the restaurant, I decided to make a short detour. After all, when you’re within 50 metres of the Long Bar at the Raffles Hotel, how could you resist indulging in a glass (or maybe two) of the iconic Singapore Sling? I always make it my mission to come here when stopping by Singapore and this was a superb prelude to a stunning lunch. On to the meal…

P1150244The centre piece of the dining room was undoubtedly the single-piece 220 year old hinoki counter (Japanese Cypress tree), the pride and joy of Oshino Koichiro who oversees the restaurant in Singapore whilst his boss, Kanesaka Shinji, manages everything back in Japan including the selection of the fish that gets flown into Singapore four times a week. Even the fruits used for their dessert are imported from Japan!

P1150247Seaweed, radish and tuna to kick off the meal which had been marinated in soy sauce, and finished off with sesame seeds sprinkled. Beautifully moist fish with a very delicate flavour to ensure it didn’t overwhelm the subsequent sushi course. The texture of the fish was comparable to that of a slow cooked pork.

P1150249The first sushi of the twelve piece Moon course (月 – Tsuki) was Spanish mackerel (鰆 – Sawara). A buttery and fatty cut of fish that had been balanced well with the home concocted soy sauce and a dab of wasabi. The shari or the rice was superb throughout the meal and certainly on par with that of Sushi Tetsu, if not slightly better with the difference being the sushi-zu (vinegar) that was being used.

P1150250Japanese amberjack / yellowtail (鰤 – Buri). Another clean and bold flavoured fish with a good amount of fattiness, finishing with a slight natural sweetness. As with the sawara, the high oil content that repelled soy sauce made this a very delicate dish and all you could taste was the fish. Delicious.

P1150251l was curious to see what else was going to be served for the 12 course meal I opted for… no signs of my favourite sea urchin…

P1150253Cuttlefish (甲イカ – Kou-ika) that had been seasoned with some salt and sudachi, a Japanese green citrus. Perfect texture with a slight stickiness to it that made it blend into the shari really well. The only mistake in the entire meal for me was the unusually large amount of wasabi that had been used which caught me by surprise and ended in tears.

P1150254 Medium Fatty Tuna (中トロ – Chūtoro) from Ōma was sublime with the perfect balance of the flavour from the fish and the oily richness from the fat. The entire piece just dissolved in my mouth with the rice. Tuna from Ōma in the Aomori prefecture are possibly the most sought after in Japan and fished using a traditional method of single rod and line (ippon-zuri). The reward from catching a tuna in one of Japan’s most dangerous straits is astonishing where a 222kg bluefin tuna fetched $1.76 million USD at an auction in Tsukiji market in 2013.P1150256My mouth was watering when I saw the beautifully marbled Fattiest part of the Tuna (大トロ – Otoro), similarly from Ōma, served on my plate. Whilst one serving was sufficient given the oiliness of this cut, it was divine. I could see why the tuna from Ōma had the nickname of the “black diamond of the sea” in Japan.

P1150257Horse mackerel (鯵 – Aji) complemented with shiso (perilla), spring onion and ginger to give it a lovely aroma and counterbalance the strong smell and flavour of the fish. This was one of my favourite dish of the evening and surprisingly it did not have that distinctly strong smell. It was just delicious.

P1150258 Tuna from Kagoshima (鹿児島 鮪 – Kagoshima maguroto end the triple courses of tuna. I was surprised the akami (leanest part of the tuna) was sourced from a different tuna to the previous ones as one technically gets the full appreciation for the flavour and quality of the tuna by tasting all the cuts. Nevertheless, marinated for a few minutes in Kanesaka’s soy sauce concoction, this cut was sensational. It was simple, yet complex with a depth in flavour.

P1150259But just when I thought the tuna courses had finished, I was served with one final sushi of a six month old Baby bluefin (メジ鮪 – Meji maguro). It was far more delicate in flavour and texture over all the other tuna’s I had previously. It was like veal to a fish.

P1150260Just when I thought things couldn’t get better, it did with the Sea urchin (ウニ – Uni) from Hokkaido. Lacking any bitterness from the absence of myoban to preserve it, this was the real deal. Delicate, creamy and rich. This was what I was craving for since my last trip to Japan.

P1150261A lacquered spoon was then oddly placed in front of me…? I was worried I had finished my courses already and I was transitioning to dessert… but that would surely have been too abrupt? What happened to the soup and makimono (rolled sushi)?

P1150263… false alarm! Even better, the spoon was to scoop out my second most favourite seafood ingredient in Japanese cuisine, Salmon roe (イクラ – ikura). The shari was moulded into a tiny ball and placed on a small bowl before being covered with tens of luscious gooey salmon roes packed with the flavour of the ocean. The roes seamlessly melted in the mouth with the rice with little effort and the grated zest of yuzu breathed life into the dish with its aroma and zingy contrast to the sticky juice that oozed out. Outstanding!

P1150264Tuna with spring onion (葱とろ – Negitoro) is usually a sign when the meal is about to come to an end. A gentle way of saying, it’s almost over. It had a good balance of the fatty tuna and sharpness of the spring onion. Nevertheless, it was a sad moment…

P1150267As much as the Prawn (車海老 – Kuruma ebi) was juicy, slightly crunchy and cooked well, it was still my least favourite dish of the meal. I’ve never been a huge fan of prawn sushi, regardless of where I’ve been and that wasn’t going to change on this occasion. I am always happy to give it a try though just in case someone is able to convince me otherwise.

P1150269A bowl of Suimono (clear soup) to wrap things up.

P1150270And just when I truly thought it was over, the itamae served me one last surprise with the Salterwater / Conger eel (穴子 – Anago). The one on the right was simply prepared using salt only, drawing out the rich flavour of the eel. As previously stated in my review of Sushi Tetsu, the skills that go into the preparation of an eel requires years of experience and training, similar to sushi. I progressed on to the next piece on the left which had been baste roasted in their delicious savoury kabayaki sauce. I loved the flavour progression between the two and how they each highlighted the flavour using different techniques.

P1150271To mark truly the end of the meal were a variety of rolled sushi (makimono) Bluefin tuna, shellfish and cucumber, squash. 

P1150275As mentioned at the start, even their dessert of the Jelly with fruits had been imported from Japan! The itamae explained that in order to ensure the same experience as a top sushi-ya in Japan, they wanted to ensure that the dessert was also Japanese, with familiar flavours. Amazing.

P1150273I’m not going to ramble on about the quality of the sushi here. Simply put it, it’s very good. However, it’s not just the food that is amazing here. It’s also the attention to detail that went into everything from directly sourcing the ingredient and fish (neta) in Japan to the finer things like the lacquered toothpick box after the meal and the 220 year old hinoki counter. No expense was spared in recreating an authentic sushi establishment overseas and I personally think that justifies the significant bill that comes at the end of the meal. If you’re a local in Singapore at least you can save the cost of an airfare to sample truly authentic Edomae sushi. I’d happily come back here many times.